The second of three ‘visualisers’ (i.e. moving still images which aren’t necessarily fully-
realised ‘videos’) made for tracks from Chromium Dockyard. As with the previous
visualiser for Blackdown, all I really wanted was a picture that blinked, but my failed
experiments made him do other things instead. It’s still mainly just Gary standing
there, but stick with it and you’ll get a nice surprise. The technically-inclined may wish
to know that the moving bits are AI extrapolations from a still image taken back in
December 2025, enhanced in Dream Studio, animated on Leonardo using a Hailuo
model, then edited in Vegas. Subtitles ruined it for me so I left the lyrics off this time,
but if you really miss them, they’re included on YouTube as a subtitle option.
VISUALISER
APRIL 30, 2026
TOUCHING ROBOTS IN PARIS
APRIL 30, 2026
The second of three ‘visualisers’ (i.e. moving still
images which aren’t necessarily fully-realised
‘videos’) made for tracks from Chromium Dockyard.
As with the previous visualiser for Blackdown, all I
really wanted was a picture that blinked, but my
failed experiments made him do other things
instead. It’s still mainly just Gary standing there, but
stick with it and you’ll get a nice surprise. The
technically-inclined may wish to know that the
moving bits are AI extrapolations from a still image
taken back in December 2025, enhanced in Dream
Studio, animated on Leonardo using a Hailuo
model, then edited in Vegas. Subtitles ruined it for
me so I left the lyrics off this time, but if you really
miss them, they’re included on YouTube as a subtitle
option.
VISUALISER
TOUCHING ROBOTS
IN PARIS
