The third of three ‘visualisers’ which I’ve decided to reframe as a ‘videoiser’, since it’s
halfway between a visualiser and a fully-fledged video. As with Paris and Blackdown,
it’s entirely based on a still image, though this time the result is a lot more extravagant
as I finally got carried away by the newly-minted possibilities of generative AI. Every
scene you see here is a short computer-generated film based on a picture of me and
Mary the Mannequin (last seen in I am a Video). I realise that means I’m likely to be
assassinated by an anti-AI zealot but I suppose it’s good to feel passionate about
something. At one point, I wondered if it might have been easier just to film it in real
life, but there’s no way that would have been anywhere near as much fun.
VIDEOISER
MAY 7, 2026
NORMAN (I’VE DROPPED MY CUP OF TEA)
MAY 7, 2026
The third of three ‘visualisers’ which I’ve decided to
reframe as a ‘videoiser’, since it’s halfway between a
visualiser and a fully-fledged video. As with Paris
and Blackdown, it’s entirely based on a still image,
though this time the result is a lot more extravagant
as I finally got carried away by the newly-minted
possibilities of generative AI. Every scene you see
here is a short computer-generated film based on a
picture of me and Mary the Mannequin (last seen in
I am a Video). I realise that means I’m likely to be
assassinated by an anti-AI zealot but I suppose it’s
good to feel passionate about something. At one
point, I wondered if it might have been easier just to
film it in real life, but there’s no way that would have
been anywhere near as much fun.
VIDEOISER
NORMAN
