English 2
The Cover
Another defacement - nowhere near as extreme as the first English book, but similarly faded
and difficult to decipher. I know I was only eight years old but even then I must have realised
pencil doesn’t really show up on grey cardboard. I think that must be me there in the middle
saying the title, with his mop of blonde hair above what I assume must be a face. But what am
I wearing? Some kind of Satanic acolyte’s cowl, with an upturned collar? A Rick Wakeman-style
cape of Arthurian legend? Or am I just standing in front of a bull?
There’s a tiny square of pen in the top left, in which I’ve written the word ‘Shep’ - that’s my
fictional imprint ‘Shep Books’ - possibly the first time I ever wrote it. Underneath that, there’s
an explosion in which I’ve written “No. 2” - helpful, I suppose, if you can’t understand the
words ‘English Book 2’. And right at the top, the proud proclamation - 1st anniversary issue! But
I’ve only been here six months. I don’t think I’d quite grasped what ‘anniversary’ means.
The Contents
This is a thick book, like the first one, running to 60-plus pages, so it covers a fair slab of time -
six months from the middle of March to mid-October 1980. I’ve grown up a tiny bit and feel
much more at home, so the beautiful innocence of the first term is gone. The factual bits,
where I write about real life, are either knowing and irreverent, full of terrible jokes, or darkly
grumbly, occasionally even quite depressing, as I try my best to summon up the enthusiasm
to write about things I clearly don’t want to write about. Still quite revealing though, about the
things that make me happy and the things that don’t.
The attempts at humour are more plentiful and even less funny than before, with an
increasing tendency towards cartoon slapstick as the year wears on. Also an increase in
general lunacy - ‘My Wellington Boots’ being an outstanding example of me as an eight-year-
old having what I usually call ‘a mad half hour’ - a hyper-energetic flurry of stupidity which
seems incredibly funny to me but generally isn’t that amusing for anyone else.
But it’s the dramatic fiction that really shines. It’s way funnier than any of my attempts at
comedy, and some of it’s even crazier than the maddest of mad half hours. The Money Shop
starts as a mindless power fantasy but ends up rapid-cycling through all my weirdest fantasies
like a bull in a sweet shop until it ends up in a distressingly violent place. Waen Shepherd’s
Run foresees a dystopian future in which I’m blamed for the death of my own parents and go
on the run, with only my karate black belt for comfort, before being blown to bits in a nuclear
war. The Horrible Black Friday is a non-stop nightmare of vampires, bullets and continual
screaming. And Starkiller is a one-way trip to Mars full of death, sausages and liquid fire.
You might have noticed there’s a really dark undercurrent to all of this. Maybe even an
overcurrent. Usually I’d say I was just trying to write something dramatic, like the stuff I read in
comics and watched on TV. But there’s a genuine darkness about some of these stories,
making me question how happy I truly was. Not just the cartoon violence on the surface but
some occasionally depressing stuff about abandonment and loss. I’ve got a few theories
about that but I’m not sure I’m ready to talk about them yet. That’s something I’m going to
have to think very carefully about.
It’s also worth noting the various attempts at writing stories about other people’s intellectual
property. We’ve got adventures with Judge Dredd, The Micronauts, Alice in Wonderland and
even Kenny Everett’s sci-fi hero Captain Kremmen. But the only one that’s worth reading is
Revenge of the Jedi, my first attempt at writing Star Wars. The Empire Strikes Back hit cinemas
about halfway through writing this book and its influence on me was immense. Most of that
gets channelled through the Topic books, but this is my first attempt at Star Wars text, and it
wouldn’t be my last. Be warned: if you do read it, be prepared to say goodbye to half your
favourite characters in the first couple of pages.
All that’s to come! Keep checking back to see if I actually manage to upload it all…
March - October 1980
The Forgotten World
John and Mick fall foul
of some extreme
potholing
Great Space Battles
Three mighty empires
take their first steps
into outer space
TOPIC 2
The one where it all
kicks off
TERM 2
The birth of the 1980s -
Blake’s 7, Blondie and
battles in space
Waen Shepherd 2
Waen’s heroic antics in
the far-flung future of
2007 AD!
Bonfire Night
Waen’s first time at the
annual village fireworks
display
Christmas 1979
Can Waen last the night
without opening his
presents?
Ceremonies
For Sale
School Rules
Football
The Micronauts: The Return of Supersilver
Apeth (frum Ota Sbees)
Exploring the Underworld
When I Was Happiest
Plant Description
The Money Shop: Part 1
The Money Shop: Part 2
Moses and the Pharaoh
Ideas for Sports
The Money Shop: Part 3
Watch: Cocoa
The Horrible Black Friday
Waen Shepherd’s Run
I Do Not Like…
My Wellington Boots
I Am John McEnroe
Police Horses
My Name is Alice
Captain Kremmen: The Cat Soldiers
Andrew’s Body Area
Star Wars: Revenge of the Jedi
Summer
Scaredy Cat Goes to the Dentist’s
Judge Dredd: The Shape Changers
Apeth Returns
The Phantom Strikes Again
Grate Rubbing
Starkiller
Captain Shepherd
The Origin of Tomato Man
Copy Writing & Exercises
Grobschnitt’s Page
Meet Grobschnitt, the
dome-headed
Harbinger of Mischief
Apeth (from Ota
Sbees)
Ritern ov thu perpal
geriller
Exploring the
Underworld
Eight boys go exploring
in a dangerous cave
TERM 3
1980 continues with
the embassy siege and
The Empire Strikes Back
English 2
March - October 1980
The Forgotten World
John and Mick fall foul
of some extreme
potholing
Bonfire Night
Waen’s first time at the
annual village fireworks
display
String Orchestra
A visit from the North
Yorkshire County
Council Orchestra
TERM 2
The birth of the 1980s -
Blake’s 7, Blondie and
battles in space
Waen Shepherd 2
Waen’s heroic antics in
the far-flung future of
2007 AD!
Ward’s 7
John Ward and his band
of rebels fight the evil
Federation
The Fugitive
A man runs - but who is
he? And what is he
running from?
The Flame in the
Desert
An evil fire threatens
the safety of the world
Florence Nightingale
What if Florence
Nightingale had lived in
the Year 2000?
The Cover
Another defacement - nowhere near as extreme as
the first English book, but similarly faded and difficult
to decipher. I know I was only eight years old but even
then I must have realised pencil doesn’t really show
up on grey cardboard. I think that must be me there in
the middle saying the title, with his mop of blonde
hair above what I assume must be a face. But what
am I wearing? Some kind of Satanic acolyte’s cowl,
with an upturned collar? A Rick Wakeman-style cape
of Arthurian legend? Or am I just standing in front of a
bull?
There’s a tiny square of pen in the top left, in which
I’ve written the word ‘Shep’ - that’s my fictional imprint
‘Shep Books’ - possibly the first time I ever wrote it.
Underneath that, there’s an explosion in which I’ve
written “No. 2” - helpful, I suppose, if you can’t
understand the words ‘English Book 2’. And right at
the top, the proud proclamation - 1st anniversary issue!
But I’ve only been here six months. I don’t think I’d
quite grasped what ‘anniversary’ means.
The Contents
This is a thick book, like the first one, running to 60-
plus pages, so it covers a fair slab of time - six months
from the middle of March to mid-October 1980. I’ve
grown up a tiny bit and feel much more at home, so
the beautiful innocence of the first term is gone. The
factual bits, where I write about real life, are either
knowing and irreverent, full of terrible jokes, or darkly
grumbly, occasionally even quite depressing, as I try
my best to summon up the enthusiasm to write about
things I clearly don’t want to write about. Still quite
revealing though, about the things that make me
happy and the things that don’t.
The attempts at humour are more plentiful and even
less funny than before, with an increasing tendency
towards cartoon slapstick as the year wears on. Also
an increase in general lunacy - ‘My Wellington Boots’
being an outstanding example of me as an eight-year-
old having what I usually call ‘a mad half hour’ - a
hyper-energetic flurry of stupidity which seems
incredibly funny to me but generally isn’t that amusing
for anyone else.
But it’s the dramatic fiction that really shines. It’s way
funnier than any of my attempts at comedy, and some
of it’s even crazier than the maddest of mad half
hours. The Money Shop starts as a mindless power
fantasy but ends up rapid-cycling through all my
weirdest fantasies like a bull in a sweet shop until it
ends up in a distressingly violent place. Waen
Shepherd’s Run foresees a dystopian future in which
I’m blamed for the death of my own parents and go
on the run, with only my karate black belt for comfort,
before being blown to bits in a nuclear war. The
Horrible Black Friday is a non-stop nightmare of
vampires, bullets and continual screaming. And
Starkiller is a one-way trip to Mars full of death,
sausages and liquid fire.
You might have noticed there’s a really dark
undercurrent to all of this. Maybe even an
overcurrent. Usually I’d say I was just trying to write
something dramatic, like the stuff I read in comics and
watched on TV. But there’s a genuine darkness about
some of these stories, making me question how
happy I truly was. Not just the cartoon violence on the
surface but some occasionally depressing stuff about
abandonment and loss. I’ve got a few theories about
that but I’m not sure I’m ready to talk about them yet.
That’s something I’m going to have to think very
carefully about.
It’s also worth noting the various attempts at writing
stories about other people’s intellectual property.
We’ve got adventures with Judge Dredd, The
Micronauts, Alice in Wonderland and even Kenny
Everett’s sci-fi hero Captain Kremmen. But the only
one that’s worth reading is Revenge of the Jedi, my
first attempt at writing Star Wars. The Empire Strikes
Back hit cinemas about halfway through writing this
book and its influence on me was immense. Most of
that gets channelled through the Topic books, but this
is my first attempt at Star Wars text, and it wouldn’t be
my last. Be warned: if you do read it, be prepared to
say goodbye to half your favourite characters in the
first couple of pages.
All that’s to come! Keep checking back to see if I
actually manage to upload it all…
Captain Carnivore
Gary Shepherd is
hunted down by a
deadly flying meteor
Super Jesus
A special pin-up of your
favourite Nazarene
webslinger
Giant Karza!
Arch-enemy of the
Micronauts grows to
super size!