Another attempt at drawing a Marvel superhero character - this time The Fantastic Four’s
arch-nemesis Doctor Doom. I don’t remember whether I especially liked him, but I clearly put
in the effort here. It’s hardly Rembrandt but I’ve definitely tried very hard to get the shadows
and folds right. Not a bad picture for an eight year old.
It’s not something I think about often but it’s obvious I thought of myself as an artist just as
much as a writer. I’ve spent most of my life imitating things I like in one way or another, so I
tend to view all this stuff through that lens. I liked reading comics, so obviously I wanted to
make comics of my own. Just like later on I’d write stories about Star Wars or Doctor Who or
whatever else I was into at the time. When I grew up, it was comedy and music. When I was
eight, it was comics.
But it felt like much more than that. Pretty soon, we’ll start seeing evidence of me fantasising
about having my own business empire that made not just comics and books but toys too. I
clearly had ambition. But I doubt I really wanted to be Richard Branson. I think I just saw
creativity as a core part of my identity - an identity I was still building and being encouraged
to experiment with in my Topic books - and artwork was a core part of that creativity.
At some point, I stopped drawing. Some time around the age of 14 or 15. I don’t know why -
maybe Art GCSE clashed with something else on the timetable. Maybe I realised I wasn’t as
good as I thought I was. Maybe I just stopped reading comics. But at some point it slowly
faded out of my life, so it’s strange to look back and see how much time and effort I put into
doing this stuff. Sometimes I regret letting it go. But I probably took it as far as I was able.
As for the ‘amusing’ bit at the top - “Number Five of Four Pin-Ups” - it’s true, this is the fifth
full-page picture in the book, so I guess that’s partly what I meant. But obviously there
weren’t originally meant to be just four - I was just trying to be funny. I’ve copied the style of
the joke from a magazine I liked called Frantic, without fully understanding it. The front cover
of Frantic No 2 (published March 1980) proudly boasts it’s “NUMBER TWO (in a field of one)”.
I loved the absurdity of that and obviously wanted to reproduce it here, but hadn’t realised it
really meant “This comic is rubbish”. So it just comes across as goofy and doesn’t make much
sense. Watch out for more of that as the books roll on…
April/May 1980
TERM 3
1980 continues with
the embassy siege and
The Empire Strikes Back
Pin-Up: Doctor Doom
The Hulk
Puny humans won’t be
able to resist this
amazing pin-up!
The Origin of Electro
Waen Shepherd, TV
Star, turns evil and
drains the city!
Super Jesus
A special pin-up of your
favourite Nazarene
webslinger
April/May 1980
Pin-Up:
Doctor Doom
Grobschnitt’s Page
Meet Grobschnitt, the
dome-headed
Harbinger of Mischief
Apeth (from Ota
Sbees)
Ritern ov thu perpal
geriller
Exploring the
Underworld
Eight boys go exploring
in a dangerous cave
TERM 3
1980 continues with
the embassy siege and
The Empire Strikes Back
Another attempt at drawing a Marvel superhero
character - this time The Fantastic Four’s arch-
nemesis Doctor Doom. I don’t remember whether I
especially liked him, but I clearly put in the effort
here. It’s hardly Rembrandt but I’ve definitely tried
very hard to get the shadows and folds right. Not a
bad picture for an eight year old.
It’s not something I think about often but it’s
obvious I thought of myself as an artist just as
much as a writer. I’ve spent most of my life
imitating things I like in one way or another, so I
tend to view all this stuff through that lens. I liked
reading comics, so obviously I wanted to make
comics of my own. Just like later on I’d write stories
about Star Wars or Doctor Who or whatever else I
was into at the time. When I grew up, it was
comedy and music. When I was eight, it was
comics.
But it felt like much more than that. Pretty soon,
we’ll start seeing evidence of me fantasising about
having my own business empire that made not just
comics and books but toys too. I clearly had
ambition. But I doubt I really wanted to be Richard
Branson. I think I just saw creativity as a core part
of my identity - an identity I was still building and
being encouraged to experiment with in my Topic
books - and artwork was a core part of that
creativity.
At some point, I stopped drawing. Some time
around the age of 14 or 15. I don’t know why -
maybe Art GCSE clashed with something else on
the timetable. Maybe I realised I wasn’t as good as I
thought I was. Maybe I just stopped reading
comics. But at some point it slowly faded out of my
life, so it’s strange to look back and see how much
time and effort I put into doing this stuff.
Sometimes I regret letting it go. But I probably took
it as far as I was able.
As for the ‘amusing’ bit at the top - “Number Five of
Four Pin-Ups” - it’s true, this is the fifth full-page
picture in the book, so I guess that’s partly what I
meant. But obviously there weren’t originally
meant to be just four - I was just trying to be funny.
I’ve copied the style of the joke from a magazine I
liked called Frantic, without fully understanding it.
The front cover of Frantic No 2 (published March
1980) proudly boasts it’s “NUMBER TWO (in a field
of one)”. I loved the absurdity of that and obviously
wanted to reproduce it here, but hadn’t realised it
really meant “This comic is rubbish”. So it just
comes across as goofy and doesn’t make much
sense. Watch out for more of that as the books roll
on…
Lazer Lash
An exciting criminal spy
adventure in a world
made of lasers!
Woman Line
Which of these five
squiggly lines leads to
the woman?